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I’m excited about all the opportunities that have come my way, but I’m also biting my nails all the way to the holidays. Our spaces are meant to tell our stories and mine is constantly progressing. I’m always taking new risks when it comes to my own home, my fashion, and my personal style. Definitely a bohemian at heart, I’m all about mixing materials, colors, and textures - whatever it takes to create layers and a meaningful story that feels like home to me. I am passionate about complete home builds that involve collaboration between an architect, a landscape designer, and an experienced builder, allowing me to bring my vision to life. I also love working on boutique commercial spaces where I have the creative freedom to experiment and fully realize a unique concept.
Album is a tracklist of art and design curated by Cortney Bishop.
In 2021, Bishop made her mark on downtown Charleston’s hospitality and social scene with the opening of The Ryder Hotel, a modern lifestyle destination imagined and executed in CBD’s vision. What’s the biggest thing you wish you had known when you started your firm? How much I would be invested in it emotionally—how much of a toll it would take on me. We’re intuitive people; we’re trying to create this beautiful environment for [our clients] to live in, whether they’re creative or not. Which, by the way, some are, and they can see things three-dimensionally. It looks dark, but the walls are all white.” You have to build it for them, and that’s really tough, and I get really deflated when I hear them say that.
Beach Bungalow
We’re going to take a little break from that and focus on our own community. There’s so much opportunity here, and it’s fun actually being home. That’s something that I’ve realized—nesting is good. I have the honor of bringing the Sword Gate House in Charleston back to its glory. It’s a landmark — the carriage tours go by and tell its story. I’ve almost finished the renovation with two wonderful clients who have the vision to mix historical accuracy and modern pieces.
Sick of shipping snafus? This designer took matters into her own hands - Business of Home
Sick of shipping snafus? This designer took matters into her own hands.
Posted: Tue, 25 Jul 2023 22:08:58 GMT [source]
Cortney Brown
When I moved to Charleston, there was an old guard of interior design firms that were extremely talented—and then the next jump was to people my age, this younger guard of women that were in our 30s. There were three or four of us trying to gain steam and do something a little different—and that was all before social media. And then [there was] the social media explosion with Instagram and everybody caught on—even the do-it-yourselfers caught on. It’s just a matter of evolution of lifestyle and design, and I do feel like everybody’s catching on to a little bit more relaxed living. "I'm a sucker for rugs, art, and unique accessories," interior designer Cortney Bishop tells us. Not that she has to—one look at her Charleston home makes this love for statement pieces very clear.
This Kiawah Island Beach Home Is Designed With Comfort and Style In Mind - Southern Living
This Kiawah Island Beach Home Is Designed With Comfort and Style In Mind.
Posted: Mon, 25 Sep 2023 07:00:00 GMT [source]
Would you ever consider living somewhere other than Charleston?
And while it may have taken some time (and a few other professional pursuits in between) to discover her niche, these days, Cortney has her own wildly successful interior design business out of Charleston, SC. From cozy residential projects and eye-catching hotel bars to bright and airy beachfront condos, her style is decidedly casual — with an edge. Get to know our latest designer crush, Cortney Bishop of Cortney Bishop Design. An avid globetrotter, Bishop looks to her travels, as well as her love of art, music and fashion for inspiration.
What it does is mix the boldest of the bold [talents] and brings forth true artists who aren’t in a business atmosphere. When collaborations are not under a business constraint they can push the envelope to the farthest level… and I need to see that. Cortney Bishop’s approach to design involves creating resonance between the interiors, the architecture, the location and its views. Cortney’s fervor for contemporary art extends beyond her own collection. It’s this passion that is shared with clients when selecting and installing that final layer to personalize a space.
Did you pursue design right away yourself, then? My father was a huge businessman and it was always about economics with him. And I was quite an entrepreneur as a child—I would have lemonade stands, or make and sell braided barrettes with ribbons, or stationery—whatever I could do to make money. He pushed me to continue to get my business degree and go into the corporate world. Once I graduated from the business school at [the University of Georgia], I went to work for [a] consulting corporation, where I was selling beautiful beach club memberships to high-end resort communities.
I was doing very well and I loved it, but then I met my husband in Paris. Before you start knocking down walls or applying fresh coats of paint, Cortney recommends deciding on an overall vision for your home. For her, this starts with “a color scheme and a vibe.” She found inspiration for her redo particularly from the setting and her home’s exterior. “I like a black, white, and cream palette and then I layer on a color that feels natural to the exterior of the home, which for me is all of the blues,” she says.
But you’re in charge, so if $350,000 isn’t what you want to spend on your home, then let’s talk about it. From there, we do the furniture plan, then the RCPs, and then we provide a lighting budget that correlates to the lighting allowance, and then do spreadsheets and budgets for every line item. [Whether it’s] the bed, pillowcases, household essentials, or art and accessories, there’s a line item budgeted that they’ve agreed to. At the end of the job, they land at $450,000 (or whatever the budget is), turnkey—they know that’s the number and we’re not going to go over it unless they find something that’s, like, a $50,000 piece of art we weren’t expecting.
She processes all the money and gets all that office stuff off my plate—and that’s the best money I’ve ever spent. She’s a great adviser, she cuts all the checks, she makes sure the checks are correct, that I’m not paying too much for shipping or tax somewhere, and that we’re competitive when we’re pricing out shippers. She’s also human resources now for the team and can make sure they’ve got their IRAs and insurance set up—all the things that they deserve, and that I would’ve never been able to process without her. We’ve had so much fun being able to travel—just the access we have in the modern world—and I was riding that.
You work so hard and you want that moment to be so special, but we were realizing that things were broken, things were lost, we didn’t have accurate data about what was being received at what time. That so much was happening behind the scenes for their project? I think there’s always this concern clients have that it’s going to be extremely expensive, and how do we keep it from getting out of control? It doesn’t matter what the budget is, everybody should feel good about knowing where they’re going to end up.
She came in so nonchalantly with her backpack on and was like, “I’m just going to shoot your house.” I was like, “OK, great, what can I do to help? ” And she was like, “Oh, nothin’.” And she toured around and took these incredibly bright, happy, vibrant shots of the house, and it just clicked. In that moment, I was like, This is my girl, she’s getting my vibe. What drew some of your initial clients to your work?
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